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Pop-Punk

Seek Harbour - Far From Home - EP Review

Seek Harbour - Far From Home - EP Review

Seek Harbour - Far From Home - Independent

Track List:

  1. Dagger Like Eyes

  2. Wolves

  3. Far From Home

  4. TY (FBMH)

One of my favorite parts of being an independent music outlet is finding and being introduced to new bands in the scene. I'm sure many think that with the internet, how could you not easily find every band that makes music you like? But it happens, and sometimes it happens because there are separate scenes in other countries. That's where Seek Harbour comes in. Seek Harbour will release the entirety of their debut EP, 'Far From Home,' independently on Friday, April 8th.

Seek Harbour are a post-hardcore band from Kent, located in the UK. But it's probably a little too easy to say they're "post-hardcore," as Seek Harbour adds a few genres to the mix, including some pop-punk sensibilities and hardcore-style screamed vocals in their dual-vocalist band. Nevertheless, it's a fascinating and exciting combination, primarily because the band has a sturdy melodic post-hardcore backbone.

The band has been releasing tracks from the debut 'Far From Home' EP since 2021 but will culminate with the emotional finale 'TY (FBMH),' which I believe stands for "Thank You (For Bringing Me Here)" on Friday. The song is very melodic and especially catchy in nature. The screams (or uncleans) are minimal, but the passion is still at the forefront. This is often the way Seek Harbour handles the song structures in 'Far From Home.' The instrumentation is often very clean. The singing and screaming switches are placed up front in the mix. Thankfully, they are not muddled in the production, which can often be the case in these genres.

Throughout the EP, Seek Harbour creates an intoxicating atmosphere that drives anticipation for what's coming next. The mix between singing and screaming is varied and keeps the listener's interest without becoming stagnant. The instrumentation follows precisely as needed by complimenting the atmosphere and adding the appropriate flair. For a debut EP, 'Far From Home' certainly doesn't show it.

Even though the debut EP is relatively short. At four tracks totaling nearly fourteen minutes, Seek Harbour has made a cohesive EP saturated with so much passion and emotion that repeat listens aren't just demanded; they're needed. So make sure 'Far From Home' and Seek Harbour are on your radar this Friday and in the future.

Ian Hates Boston Manor's 'Welcome to the Neighbourhood'

Ian Hates Boston Manor's 'Welcome to the Neighbourhood'

Boston Manor - Welcome To The Neighbourhood

Pure Noise Records

13 tracks (1 Interlude)

Pop-punk has been on an upswing for the last few years with mainstays and newcomers alike, but, whenever the scene goes through a revamped pop-punk cycle, the music can start to sound very similar. It becomes harder to differentiate yourself from the pack and “make your mark”. Luckily for all of us, there’s Blackpool’s Boston Manor.

Now, saying, Boston Manor, fits comfortably into only the pop-punk genre would be doing them a disservice. They’ve always been good at mixing genres like post-hardcore, pop-rock, and maybe even some emo, to form a really great amalgamation in the "pop-punk" scene. For more reference, you can always go back and listen to their breakthrough debut full-length, ‘Be Nothing’ out on Pure Noise Records. Of course, we’re not here to talk about ‘Be Nothing’ necessarily, but it serves as a great precursor to what ‘Welcome to the Neighbourhood’ is.

And that brings us to ‘Welcome to the Neighbourhood’, the sophomore full-length release from Boston Manor, through Pure Noise Records. I have to admit, I have been looking forward to this album since I first heard ‘Be Nothing’ and saw the lads (I’ll use the British term, why not?) at a small, cluttered, art gallery playing alongside Rarity, Broadside, and Like Pacific. A great mix of post-hardcore, emo, and pop-punk all under one art-lined roof. It was my first experience of Boston Manor live, but it definitely won't be my last.

The album begins with the title track as the intro, but once you hear the ominous tone that’s set from the start, you realize the song is more of a warning than a welcome. Tone plays a big role in WTTN, often haunting intros lead to catchy choruses, with the appearance of some unclean vocals from time to time to keep the listener on their toes. There’s even the semblance of some breakdowns, although lighter than a metalcore band, they’ll no doubt get the crowds moving (see ‘Flowers In Your Dustbin’) if they weren't already.  

Throughout the album, Boston Manor keep you guessing as they weave in and out of bitterness and radio-friendly addictiveness. You’ll find yourself bouncing around and shaking your shoulders even though you know the lyrics aren’t necessarily for body-moving joy. But, that doesn’t seem to matter as you navigate through the album, because each track leads you deeper into this bouncy ominous world Boston Manor has created.

It might sound strange to some, but I often heard some The Amity Affliction-esque melodies in ‘Be Nothing’, so in WTTN, I’ll continue the strangeness and say that in certain tracks you can hear Marilyn Manson-esque and Bring Me The Horizon-esque melodies (see ‘Funeral Party’ for a prime example). Not exactly what you’d expect in a pop-punk album, but that’s what will keep Boston Manor relevant in a sea of the similar.

WTTN is fast paced at times, bold, catchy (of course), and it keeps your attention with the storyline it creates because, for one, it's different than anything you've heard. If your heart isn't out of your chest by the final track it certainly will be as the semi-acoustic, epic sounding, 'The Day I Ruined Your Life' ends with a chorus of repeating shouts of "The day that I ruin your life" to the final guitar pick.

In music, people often bring up that the second album for a band makes or break them. I don’t necessarily agree with that statement in all cases, but if it is true, then Boston Manor have cemented themselves as a must-hear band with ‘Welcome to the Neighbourhood’. It’s one of the most compelling “pop-punk” albums of 2018 and one that begs to be dissected over and over again, and at this time in music, that's the highest compliment you can achieve.