The Plot In You - Swan Song - Album Review

The Plot In You - Swan Song - Fearless Records

Track List:

1. Letters To A Dead Friend

2. Fall Again

3. Face Me

4. Too Far Gone

5. Paradigm

6. Both To Blame

7. Too Heavy

8. Enemy

9. Whole Without Me

10. Freed

When I spoke about Landon Tewers last (and before that, too), I reviewed his previous solo release, 'Frontal Lobe Submission.' I started the last couple of reviews by saying, "This is Landon Tewers, not The Plot In You." Now though, I finally came to the conclusion that there's no separation. Landon IS The Plot In You as much as he's a multidimensional solo artist. 

This is as evident as ever, even in the beginning of the journey through 'Swan Song,' the fifth full-length album from Landon and The Plot In You. The opening track, aptly titled 'Letters To A Dead Friend,' sounds, for the first minute and a half, or so, like Landon's solo material. Another track, further along in the album, sounds familiar to his side-project Ai640. And you begin to realize that he's able to blend so many genres/projects/styles into a seamless tapestry that is undeniably ahead of the curve. Ahead of the curve and ahead of any of the current trends stagnating certain bands in scene music.

The album is undeniably dark. As I mentioned previously, the first track's title should give that away. In tune with that, a deeper dive into the lyrics will strike a chord few have the ability to in modern music. As the down-tuned guitars build anticipation and the raspy screams begin, Landon's haunting confessions of sorrow and self-reflection mentally shred you. This is often the case in each new track of the album. Landon expresses so much passion in gutwrenching stories of loss, separation, relationships with others, and relationships with himself that it's tough not to look inward and evaluate your own past experiences. Each track holds a specific weight and significance.          

In contrast to the album's lyrics, the instrumentation paints with a broader stroke. Electronics are used in unique and exciting ways that won't become tiring, overplayed, or cringe-inducing. More pop-inclined tracks sound in contrast to their lyrical content at times but don't sound forced or contrived. And then there are the "heavier" tracks that showcase dynamic mixes of melodic and angst-ridden singing and screaming. If you want to hear some of the better passionate and heartfelt screams in the scene, you'll find a multitude in 'Swan Song.' 

Website (Pre-Order/Order ‘Swan Song’)

Facebook

Instagram

Twitter

Landon Tewers - Frontal Lobe Submission - EP Review

Landon Tewers - Frontal Lobe Submission - EP - Independent

Track List:

1. Gospel Therapy

2. Kill Me

3. Fuck Pacing

4. Gave My All

5. Just Talkin

6. When I’m Gone

When I spoke about Landon Tewers last, I reviewed his previous solo release 'Withdrawals.' I started the review by saying, "This is Landon Tewers, not The Plot In You." The same holds true here, so I felt it bears repeating. Landon's solo material usually is very different than anything he's done with The Plot In You previously. But this new release, 'Frontal Lobe Submission' (referred to as FLS as we continue), is also different from 'Withdrawals' and continues the dynamic shifts of Landon's varied music career in a pretty significant way.

FLS begins with the first single, 'Gospel Therapy,' which sounds like it could be a b-side of 'Withdrawals.' It's an interesting dynamic as the song starts as one genre and quickly morphs into a bouncy, funky-groove. You know it would get people moving at a live show. It has that element of surprise during the track's evolution that puts you on your back foot. It asks the question, what can possibly come next?

That "next" is the second single, 'Kill Me.' It's a very catchy song when the chorus crashes in, especially for a song begging for death. It's a full and upbeat song you might not be expecting based on the lyrical content, but one you'll find yourself singing along to quickly. The song features the popular Rory Rodriguez of Dayseeker as a great compliment to this melodic and passionate track.

'Fuck Pacing' changes everything up once again as it seems like it belongs in a movie feeling similar to 'Stand By Me.' Then the beat kicks in, and if your shoulders aren't moving, you must be in a confined space. This track features Gabbie Hanna as a duet, and it's exactly what the track needed. The extra layering compliments everything even before the horns kick in. 

Another sing-a-long track is next in 'Gave My All.' Acoustics drive the pace, and some screaming vocals give the song the extra grit it needs. This will be up there with 'Kill Me' soon enough.

'Just Talkin' probably has my favorite line in this EP: 

"...I will never stay consistent. 

No, I will never

No, I will never think the same."

I feel like that line capitulates Landon, especially when it comes to his music projects and prowess. The beat in this track doesn't even come in until around the second minute. The song continues with an R&B/Hip hop flair that culminates with a very, very strange "child" speaking at the end. It wouldn't be Landon without some weirdness, haha. 

The final track, 'When I'm Gone,' could easily be used in a movie where the main focus is hipster drama. It sounds like the perfect suicide note put to music, but the track isn't depressing; the instrumentation lingers on the positive, almost hopeful tone. It's not the cookie-cutter sad acoustic song at the end of the emo/pop-punk album, and it leaves you wanting more. 

If you take out 'Gospel Therapy,' FLS sounds more focused this time around. It'll depend on your tastes what type of Landon's material you gravitate to most. Still, he always has a way of making everything sound unique. Each release is exciting because not only do you have to stay on your toes, but there's also an abundance of quality that goes with everything Landon does. Start your year off right with 'Frontal Lobe Submission' and listen to Landon Tewers stay consistently inconsistent in the best way possible.

‘Frontal Lobe Submission’ comes out Friday, January 29th.

Pre-order/order ‘Frontal Lobe Submission’ and more, by following the links below:

Landon Tewers - Website (Pre-Order)

Landon Tewers - Twitter

Landon Tewers - Instagram

Landon Tewers - Facebook

Landon Tewers - Ai640 Part III - Review

Landon Tewers - Ai640 Part III - Independent

1. Excrete

2. Blasphemy

3. Debt

4. Final Form

I once started a review for Landon Tewers’ album ‘Withdrawals’, where I said, “This is Landon Tewers, not The Plot In You”. Well, what do I say now? Technically, it’s all Landon of course, but let me introduce you to another one of his side projects, Ai640, which, might actually be the “heaviest” of everything he’s done. Hopefully, that got your attention.

First, some background. Ai640 is a concept of more than five years in the making. Part I came out in 2015, Part II in 2017, and now, Part III in 2020. In case you didn’t already know, by Landon’s own words, “This is a story about a robot with artificial intelligence that escapes the lab he was made in, sees how disgusting mankind is, and decides the only way to save the planet is to exterminate all humans”. Delightful, right? The concept isn’t exactly new, any sci-fi fan will tell you that, but the story is very unique in how it’s told in the medium of music. 

Let me do a quick recap for you. In Part I, Ai640 escapes the lab and through a series of events, decides to destroy the human race, killing thousands and creating chaos. In Part II, Ai640 meets a human named Jane who makes Ai640 rethink its’ purpose. Part III picks up farther in the future, but you’ll have to listen to find out Ai640’s fate.

It’s cliche to say, but Landon really does pull out all the stops in Part III. He uses almost every version of screaming possible in the first track ‘Excrete’ alone. From guttural bellows to shrieking wails and distortion that brings you even closer to the character. It’s an extra level of detail that, if not done correctly, would come off hoaky, but Landon nails the balance needed perfectly. You can hear the passion, the hatred at times, that emanates from his mouth as he describes Ai640’s thoughts on humanity as he moves through a desolate and unforgiving world he created. If you ever needed proof that Landon is one of the most talented and dynamic vocalists in the scene, Part III is the exclamation point to that debate. 

As for the music itself, if you miss old-school Plot, now you’ve at least got your heavy back. Part III is metalcore through and through. Throughout the entire concept, that’s been the case and there was certainly no reason to detour. The production is crisp and it needed to be with how dynamic the shifts in tone and vocals are, not to mention there are effects and dialogue aplenty to move the story along. It’s a very hard-hitting release with only brief moments to really catch your breath. A lot is covered in only four songs, but multiple listens are warranted to pick up on little nuances you may have missed the first time through.

You can listen to Part III without hearing the first two parts for the music alone, but following the story and Ai640 brings an extra layer to the experience. Even though it would probably be tough to pull off, seeing all three parts performed live, front to back, would be pretty epic. I know that’s a very overused term, but after finishing Part III, I think it applies here. 

Ai640 Part III is a definite must-listen for anyone who’s enjoyed the Ai640 story so far, but also metalcore fans in general. Sometimes it feels like it’s difficult to bring something new to the genre, but Ai640 makes it look pretty effortless. Each part has improved on its’ predecessor and Landon has given his story a very satisfying conclusion, but, is it truly the end of the saga? What awaits Ai640 and the last of the human race? You’ll have to listen to find out.

Landon Tewers - Website (Pre-Order)

Landon Tewers - Twitter

Landon Tewers - Instagram

Landon Tewers - Facebook